Writings

2025

“Codebreak in the Waves: The Prismatic Practice of Xuan Ye”

Yishu: Journal of Contemporary Chinese Art

Profile

2025

Ryuichi Sakamoto: seeing sound, hearing time, at Museum of Contemporary Art Tokyo

frieze

Exhibition Review

2025

Karen Tam | “Birds of a Feather”

Plural

Profile

2024

Nebula at Complesso dell’Ospedaletto, Fonzadione In Between Art Film, Venice

Journal of Curatorial Studies

Exhibition Review

2024

Lap-See Lam: “After the Storm”

frieze

Essay

2023

Meryl McMaster: bloodline at Remai Modern, Saskatoon

Artforum

Exhibition Review

2023

“Getting Grafted”

C Magazine

Essay

2023

“Beauty and the Hypebeast: No Hurrahs for KAWS”

The Grind

Feature

2023

Wangechi Mutu: Intertwined at New Museum, New York

PUBLIC

Exhibition Review

2023

Didier Morelli: “Sleeping with Art”

La maison à jouer de S.L. at Centre des arts actuels Skol

Exhibition Essay

2023

Madeline Mayo: “A Terrifying Beauty”

Vex Visceral at FOFA Gallery, Concordia University

Exhibition Essay

2023

“The New Pornographers”

Espace art actuel

Feature

2022

Black Power Naps: Chill Pill (Rockabye Baby) at Ford Foundation Gallery

Art in America

One Work Review

2022

Denyse Thomasos: Just Beyond at Art Gallery of Ontario

Art in America

Exhibition Review

2022

Conceptions of White at MacKenzie Art Gallery, Regina

Artforum

Exhibition Review

2022

“The Spatial Imaginaries of Karen Tam 譚嘉文”

C Magazine

Feature

2022

General Idea at National Gallery of Canada, Ottawa

frieze

Exhibition Review

2022

On the Town: A Performa Compendium 2016–2021

Gregory R. Miller & Co.Essays

2022

Before Yesterday We Could Fly: An Afrofuturist Period Room at Metropolitan Museum of Art, New York

Journal of Curatorial Studies

Exhibition Review

2022

Leonard Suryajaya: “A Family Affair”

False Idol x North Kin at Plug in ICA, Winnipeg

Exhibition Essay

2022

Jagmeet Raina: Chase at Textile Museum of Canada, Toronto

Artforum

Exhibition Review

2022

Everything/And: A response to BlackFlash’s Fall/Winter issue ‘Infinities’

BlackFlash

Response

2022

Fashioning Resurgence: In Conversation with Christi Belcourt

Fashion Studies Journal

Response

2022

“22 Cheongsams”

In the Mood Magazine

Essay

2021

“Contemporary Avant-Garde Fashion”

Routledge Companion to Fashion Studies

Chapter

2021

Kandis Williams: A Line at 52 Walker, New York

The Brooklyn Rail

Exhibition Review

2021

“The Personality Test in Your Closet”

The Atlantic

Feature

2021

“On Rage and Silence”

AICA Magazine

Essay

2021

“Pornhub’s Failed Attempt to Enter the Art World”

frieze

Exhibition Review

2021

Diedrick Brackens: shape of a fever believer at Oakville Galleries

frieze

Exhibition Review

2021

Haegue Yang: Emergence at Art Gallery of Ontario, Toronto

frieze

Exhibition Review

2021

Howie Tsui: From swelling shadows, we draw our bows at The Power Plant Contemporary Art Gallery, Toronto

Artforum

Exhibition Review

2021

Stephanie Temma Hier: Soft Options, Hard Edges

Bradley Ertaskiran

Exhibition Essay

2021

Dear Eunice

Isolate in Style, FOFA Gallery, Concordia University

Letter

2021

Huang Po-Chih, "Heaven on Fourth: A reflection”

Double Square Gallery

Exhibition Essay

2020

“Taste and Transgression: Gender and Sexuality in the Contemporary Avant–Garde Fashion of Bernhard Willhelm”

Fashion Theory: The Journal of Dress, Body & Culture

Article

2020

Native Art Department International: Bureau of Aesthetics at Mercer Union, Toronto

frieze

Exhibition Review

2020

Bridget Moser: My Crops Are Dying But My Body Persists at Remai Modern, Saskatoon

Artforum

Exhibition Review

2020

Saturation: Race, Art, and the Circulation of Value

Canadian Art

Book Review

2020

2 Lizards

The Brooklyn Rail

Webseries Review

2020

FIVE

The Brooklyn Rail

Exhibition Review

2020

Matthew Larson: “The Soft Grid”

Lo-Fi, RULE Gallery

Exhibition Essay

2019

Embassy of Imagination: Sinaaqpagiaqtuut/The Long-Cut at Toronto Biennial of Art

Performa Magazine

Performance Review

2019

Hannah Black and Juliana Huxtable: Penumbra at Performance Space NY

The Brooklyn Rail

Performance Review

2019

“How Pierre Cardin’s Futuristic Fashion Infiltrated Everyday Life”

The Atlantic

Feature

2019

Berna Reale: While you laugh / Enquanto Você Ri at Nara Roesler, New York

The Brooklyn Rail

Exhibition Review

2019

Björk: Cornucopia at The Shed

Performa Magazine

Performance Review

2019

Refiguring Binaries at Pioneer Works, Brooklyn

The Brooklyn Rail

Exhibition Review

2019

Okwui Okpokwasili and Peter Born: Adaku’s Revolt at Abrons Arts Center, New York

Performa Magazine

Performance Review

2018

“Against ‘Fashion-Time’: Bernhard Willhelm, Regional Folk Dress and the contemporary”

Visual Typologies from the Early Modern to the Contemporary: Local Contexts and Global Practices

Chapter

2018

Lorna Mills: The Great Code

Canadian Art

Exhibition Review

2018

Colleen Schindler-Lynch: “Life After/After Life”

Daemon & Saudade, Gallery of Northumberland

Exhibition Essay

2017

Sara Berman’s Closet at Metropolitan Museum of Art, New York

Journal of Curatorial Studies

Exhibition Review

2017

Ian Cheng: Emissaries at Museum of Modern Art, New York

The Brooklyn Rail

Exhibition Review

2016

Dreamlands: Immersive Cinema and Art 1905–2016 at Whitney Museum of American Art, New York

The Brooklyn Rail

Exhibition Review

2015

Is Toronto Burning? at Art Gallery of York University, Toronto

Fashion Theory: The Journal of Dress, Body & Culture

Exhibition Review

2014

“Bernhard Willhelm: The Contemporary and Sartorial Remembrance”

Critical Studies in Fashion and Beauty

Article

2014

Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present

Journal of Curatorial Studies

Book Review

2014

Michael Snow, Walking Woman: Carla Bley (1965)

Blackwood Gallery

Essay

2013

Bernhard Willhelm and Jutta Kraus, Experts: doomsday predictions have no basis in fact or history at Middelheim Museum, Antwerp

Journal of Curatorial Studies

Exhibition Review

2013

“Resist the List: A Problem of Politics in the Evaluation of Contemporary Art”

C Magazine

Feature

2012

“Old schools and new tricks: what our traditional ‘makers’ are making with digital technology”

SKETCH

Feature

2012

Public: Collective Identity|Occupied Spaces at Art Museum at the University of Toronto

Canadian Art

Exhibition Review

2011

Hussein Chalayan: From Fashion and Back at Design Museum, London

Fashion Theory: The Journal of Dress, Body & Culture

Exhibition review

2010

Nate Archer: Design Incubator

SKETCH

Profile

2010

Nollywood by Pieter Hugo at Yossi Milo Gallery, New York

PUBLIC

Exhibition Review

2010

“Fashion Forward: Fashioning the Future”

SKETCH

Feature

2009

Ryan Gander: Things that mean things and things that look like they mean things at Mercer Union, Toronto

Canadian Art

Exhibition Review

2009

Altermodern: Tate Triennial 2009 at Tate Britain, London

C Magazine

Exhibition Review

2009

Sarah Thornton: Seven Days in the Art World

Canadian Art

Interview

2009

Elmgreen & Dragset: Too Late at Victoria Miro, London

Canadian Art

Exhibition Review

2009

Jin-me Yoon: Passages Through Phantasmagoria at Canadian Cultural Centre, Paris

Canadian Art

Exhibition Review

2008

Lee Bul at Fondation Cartier, Paris

Canadian Art

Exhibition Review

2007

Luc Tuymans: Les Revenants at Zeno X Gallery, Antwerp

Canadian Art

Exhibition Review

2007

Marla Hlady at Jessica Bradley Art + Projects

Canadian Art

Exhibition Review

2006

Where Are We Going? The François Pinault Collection at Palazzo Grassi, Venice

Canadian Art

Exhibition Review