YearProjectPublication/PublisherType
2025
"Sustaining the Future: Public Art Afterwords”Temporary Acts: Public Art in Toronto's Don River Valley / Art Metropole and EvergreenEssay
2025 "Raven Chacon: From Noise Shows to Public Orchestra”
friezeProfile
2025"Visiting Naapi’s Garden and Katoyiss Seed Bank (est. 2021)”
Calgary Arts Development AuthorityBlog
2025 “Palestinian Desserts in Sauga”
The GrindFeature
2025“Codebreak in the Waves: The Prismatic Practice of Xuan Ye” Yishu: Journal of Contemporary Chinese Art
Profile
2025 Ryuichi Sakamoto: seeing sound, hearing time, at Museum of Contemporary Art TokyofriezeExhibition Review
2025 Karen Tam: “Birds of a Feather”
PluralProfile
2024Nebula at Complesso dell’Ospedaletto, Fonzadione In Between Art Film, Venice Journal of Curatorial
StudiesExhibition Review
2024Lap-See Lam: “After
the Storm”friezeEssay
2023Meryl McMaster: bloodline at Remai Modern, SaskatoonArtforumExhibition Review
2023“Getting Grafted”C MagazineEssay
2023“Beauty and the Hypebeast: No Hurrahs for KAWS” The GrindFeature
2023Wangechi Mutu: Intertwined at New Museum, New YorkPUBLICExhibition Review
2023Didier Morelli: “Sleeping with Art”La maison à jouer de S.L. at
Centre des arts actuels SkolExhibition Essay
2023Madeline Mayo: “A Terrifying Beauty”Vex Visceral at FOFA Gallery, Concordia UniversityExhibition Essay
2023“The New Pornographers” Espace art actuelFeature
2022Black Power Naps: Chill Pill (Rockabye Baby) at Ford Foundation GalleryArt in AmericaOne Work Review
2022Denyse Thomasos: Just Beyond at Art Gallery of Ontario Art in AmericaExhibition Review
2022Conceptions of White at MacKenzie Art Gallery, ReginaArtforumExhibition Review
2022“The Spatial Imaginaries of Karen Tam 譚嘉文”C MagazineFeature
2022General Idea at National Gallery of Canada, OttawafriezeExhibition Review
2022Various contributionsOn the Town: A Performa Compendium 2016–2021Gregory R. Miller & Co. Essays
2022Before Yesterday We Could Fly: An Afrofuturist Period Room at Metropolitan Museum of Art, New York Journal of Curatorial StudiesExhibition Review
2022Leonard Suryajaya: “A Family Affair” False Idol x North Kin at Plug in ICA, WinnipegExhibition Essay
2022Jagmeet Raina: Chase at Textile Museum of Canada, TorontoArtforumExhibition Review
2022“Everything/And”: A response to BlackFlash’s Fall/Winter issue ‘Infinities’BlackFlash Response
2022Fashioning Resurgence: In Conversation with Christi BelcourtFashion Studies JournalResponse
2022“22 Cheongsams”In the Mood MagazineEssay
2021“Contemporary Avant-Garde Fashion”Routledge Companion to Fashion StudiesChapter
2021Kandis Williams: A Line at 52 Walker, New YorkThe Brooklyn RailExhibition Review
2021“The Personality Test in Your Closet”The AtlanticFeature
2021“On Rage and Silence”AICA MagazineEssay
2021“Pornhub’s Failed Attempt to Enter the Art World”friezeExhibition Review
2021Diedrick Brackens: shape of a fever believer at Oakville GalleriesfriezeExhibition Review
2021Haegue Yang: Emergence at Art Gallery of Ontario, TorontofriezeExhibition Review
2021Howie Tsui: From swelling shadows, we draw our bows at The Power Plant Contemporary Art Gallery, TorontoArtforumExhibition Review
2021Stephanie Temma Hier: Soft Options, Hard Edges
Bradley ErtaskiranExhibition Essay
2021Jason Doell: “Quo gives way to tape’s wink”turnonandbenotaloneText and Video
2021Dear EuniceIsolate in Style, FOFA Gallery, Concordia UniversityLetter
2021Huang Po-Chih, “Heaven on Fourth: A reflection”Double Square GalleryExhibition Essay
2020“Taste and Transgression: Gender and Sexuality in the Contemporary Avant–Garde Fashion of Bernhard Willhelm” Fashion Theory The Journal of Dress, Body & CultureArticle
2020Native Art Department International: Bureau of Aesthetics at Mercer Union, Toronto friezeExhibition Review
2020Bridget Moser: My Crops Are Dying But My Body Persists at Remai Modern, SaskatoonArtforumExhibition Review
2020Saturation: Race, Art, and the Circulation of ValueCanadian ArtBook Review
20202 LizardsThe Brooklyn RailWebseries Review
2020FIVEThe Brooklyn RailExhibition Review
2020Matthew Larson: The Soft Grid Lo-Fi, RULE GalleryExhibition Essay
2019Embassy of Imagination: Sinaaqpagiaqtuut/The Long-Cut at Toronto Biennial of ArtPerforma MagazinePerformance Review
2019Hannah Black and Juliana Huxtable: Penumbra at Performance Space NYThe Brooklyn RailPerformance Review
2019“How Pierre Cardin’s Futuristic Fashion Infiltrated Everyday Life”The AtlanticFeature
2019Berna Reale: While you laugh / Enquanto Você Ri at Nara Roesler, New YorkThe Brooklyn RailExhibition Review
2019Björk: Cornucopia at The ShedPerforma MagazinePerformance Review
2019Refiguring Binaries at Pioneer Works, BrooklynThe Brooklyn RailExhibition Review
2019Okwui Okpokwasili and Peter Born: Adaku’s Revolt at Abrons Arts Center, New YorkPerforma MagazinePerformance Review
2018Against ‘Fashion-Time’: Bernhard Willhelm, Regional Folk Dress and the contemporary Visual Typologies from the Early Modern to the Contemporary: Local Contexts and Global Practices, RoutledgeChapter
2018Lorna Mills: The Great Code Canadian ArtExhibition Review
2018Colleen Schindler-Lynch: “Life After/After Life” Daemon & Saudade, Art Gallery of NorthumberlandExhibition Essay
2017Sara Berman’s Closet at Metropolitan Museum of Art, New York Journal of Curatorial StudiesExhibition Review
2017Ian Cheng: Emissaries at Museum of Modern Art, New YorkThe Brooklyn RailExhibition Review
2016Dreamlands: Immersive Cinema and Art 1905–2016 at Whitney Museum of American Art, New YorkThe Brooklyn RailExhibition Review
2015Is Toronto Burning? at Art Gallery of York University, Toronto Fashion Theory: The Journal of Dress, Body & CultureExhibition Review
2014“Bernhard Willhelm: The Contemporary and Sartorial Remembrance” Critical Studies in Fashion and BeautyArticle
2014Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present Journal of Curatorial StudiesBook Review
2014Michael Snow, Walking Woman: Carla Bley (1965) Blackwood GalleryEssay
2013Bernhard Willhelm and Jutta Kraus, Experts: doomsday predictions have no basis in fact or history at Middelheim Museum, Antwerp Journal of Curatorial StudiesExhibition Review
2013“Resist the List: A Problem of Politics in the Evaluation of Contemporary Art” C MagazineFeature
2012“Old schools and new tricks: what our traditional ‘makers’ are making with digital technology” SKETCHFeature
2012Public: Collective Identity | Occupied Spaces at Art Museum at the University of Toronto Canadian ArtExhibition Review
2011Hussein Chalayan: From Fashion and Back at Design Museum, London Fashion Theory: The Journal of Dress, Body & CultureExhibition Review
2010Nate Archer: Design Incubator SKETCHProfile
2010Nollywood by Pieter Hugo at Yossi Milo Gallery, New York PUBLICExhibition Review
2010“Fashion Forward: Fashioning the Future” SKETCHFeature
2009Ryan Gander: Things that mean things and things that look like they mean things at Mercer Union, TorontoCanadian ArtExhibition Review
2009Altermodern: Tate Triennial 2009 at Tate Britain, London C MagazineExhibition Review
2009Sarah Thornton: Seven Days in the Art WorldCanadian ArtInterview
2009Elmgreen & Dragset: Too Late at Victoria Miro, LondonCanadian ArtExhibition Review
2009Jin-me Yoon: Passages Through Phantasmagoria at Canadian Cultural Centre, ParisCanadian ArtExhibition Review
2008Lee Bul at Fondation Cartier, ParisCanadian ArtExhibition Review
2007Luc Tuymans: Les Revenants at Zeno X Gallery, Antwerp Canadian ArtExhibition Review
2007Marla Hlady at Jessica Bradley Art + ProjectsCanadian ArtExhibition Review
2006Where Are We Going? The François Pinault Collection at Palazzo Grassi, VeniceCanadian ArtExhibition Review